Avoid Copyright Infringement

Have you ever uploaded an image or a video to a website, only for it to be deleted because of copyright issues? While some areas of copyright law can be complicated enough to cause copyright lawyers sleepless nights, the basics are very simple. Armed with some simple principles, you can save yourself from running afoul of copyright law.

Steps

Understanding the Law

  1. Know what copyrights protect. Copyright law protects any original creation, and grants the holder of the copyright exclusive control over when, how, and by whom their work may be copied, distributed, or exhibited. This includes literary works, paintings, photographs, drawings, films, music (and its lyrics), choreography, sculptures and many other creative works.
  2. Know what isn't protected. Copyright law generally does not protect the underlying ideas of a creative work, and it does not protect facts. For example, copyright doesn't prevent you from expressing in your own words ideas and facts found in a book or journal you read.
    • If you express ideas and facts in your own words, you should always give appropriate credit to the sources in which you found them. It is common courtesy to do so, and not doing so could constitute a violation of the Copyright Act. What you have created may constitute a derivative work pursuant to the Copyright Act, unless you have obtained license or permission from the copyright holder to create the work.
    • It may also constitute plagiarism under state common law. Paraphrasing other people's work may also constitute plagiarism under state common law, and may run afoul of misappropriation statutes.
  3. Don't confuse copyrights, trademarks, and other forms of "intellectual property." The term "intellectual property" itself has led to these very different things being confused with each other.
    • As Richard Stallman says, "Non-lawyers who hear one term applied to these various laws tend to assume they are based on a common principle, and function similarly. Nothing could be further from the case. These laws originated separately, evolved differently, cover different activities, have different rules, and raise different public policy issues."[1]
    • Trademarks, for example, forbid using certain words, marks, symbols, and so on within certain contexts to protect consumers from misrepresentation. Copyright would not prevent you from, for example, writing some new text editor software and calling it "Microsoft Text Editor", but trademark law would.
  4. Learn about the public domain laws for your jurisdiction. "Public domain" is short-hand for "uncopyrighted", not "publicly distributed". A work can be out of copyright due to age, by the nature of authorship, or other reasons. In the United States, all works authored by a federal government (not state government!) employee during the course of their official duties are public domain, as are all works published before 1923. Works first created in the European Union will usually be copyrighted until 70 years after the death of the author.

Avoiding Infringement

  1. Don't take anything from the Internet, or anywhere else, because it is almost always copyrighted, by default. "I found it on the Internet" is not a defense against copyright infringement; works on the Internet are as copyrightable as any other kind of work. Nor is "it didn't say it was copyrighted."
    • In nearly all jurisdictions, including the United States, and all other Berne Convention signatories, it is not necessary for a work to have an explicit copyright notice for it to be copyrighted.[2] It is also not necessary for copyright in a work to be registered; this simply makes it easier to be compensated in court. Without an explicit dedication to the public domain, assume that it is still under copyright.
    • There is a quirk in the United States' implementation of the Berne Convention: works first published before 1978 without a copyright notice may be public domain in the United States.[3] Works published under copyright notice are no longer covered by copyright after 75 years. They become public domain material. Works published by the US Government are public domain no matter when they were published.
  2. Be creative. If ever you wonder whether a certain action would infringe on the copyright of someone else, the question to ask is: is this a creative work on my count, or am I simply drawing from the creativity of someone else? Lunches, as any economist would tell you, are not free. Some examples:
    • Scanning something yourself does not, by itself, give you a new copyright over anything. You cannot scan a photograph from, say, a magazine and then put it on the Internet; the copyright would still reside with the author of the work. The flip-side of this is that scanning a work which is in the public domain would not, in many jurisdictions, give you the copyright over the resulting scan.
    • Taking a screenshot of a video or a computer program does not generate a new copyright. The copyright in the resulting screenshot would still be held by the copyright holder of the original video or computer program.
    • Some non-creative things are not copyrightable, for example, a plain text logo in a generic font. Neither are simple geometric shapes. But don't rely on this unless you are certain.
  3. Don't rely on "fair use". Called "fair dealing" in many jurisdictions, fair use is simply a guarantee that copyright laws do not infringe freedom of speech and make critical commentary impossible. Fair use is an extremely complex body of case law; it is often very difficult for non-lawyers to tell in advance whether or not a certain use will be considered fair use in court. If in doubt, seek permission first. [4] It is not a blank cheque granting you a right to do anything at all and call it "fair use".
    • Some uses of text under "fair use" are teaching, critiques, comments, reporting, and research. It permits, for example, limited quoting of copyrighted material. In some jurisdictions, it would allow creating a copy for personal use (such as a backup)[5].
  4. Be wary about writing fiction based on other works. It was said above that "ideas cannot be copyrighted". However, fictional characters,[6] story-lines, and settings[7] can be copyrighted (insofar as they are original).
    • This means that fan-fiction, drawings of characters from copyrighted works, and so on are all technically copyright infringements. Sometimes copyright holders turn a blind eye to this sort of thing, but unless it has been explicitly authorised, don't count on this being the case.
    • Stock Characters, on the other hand, can not be copyrighted or trademarked.

Tips

  • The Wikimedia Commons maintain an extensive summary of public domain legislation from all over the world.
  • Follow the spirit of the law, rather than the letter. Not only is this good form, it works in your favour. Chances are slim that any "loophole" you find is not something that hasn't been done to death in the courts already. If it has not, chances are much better that a court would rule against you.
  • Some works allow derivative works; one example is Halo 3, which allows user-created videos to be made and shared online.
  • Examples of "fair use" are excerpts of a copyrighted work, such as:
    • A single screenshot of a computer program or game that would normally be used by an advertiser. You can use an introductory screen in a game, but not one that shows how to complete steps or levels.
    • A one or two sentence summary of an article. Just enough to give a working idea of the content. Full paragraphs and embedded objects are not included.
    • A copy of a sentence or short paragraph from an article with all unnecessary words and phrases snipped out.
    • A paragraph, or even a page, from a substantial book may be copied if it is essential for the purpose of the description being written. Normally, a small excerpt is considered "Fair Use" because it is simply a quotation and not a substantial copy of content.

Warnings

  • Do not, under any circumstances, violate copyrights belonging to Disney, Walmart, Vivendi Universal, Time Warner, LionsGate. These organizations are highly aggressive and merciless when it comes to enforcing their copyrights. As listed above, creations lapse into public domain 70 years after the creator's death, except for certain items created between 1923 and 1977. The 70 year waiting period doesn't begin until 2019 by special act of Congress. This has been added to the US Copyright Act and the Berne Convention. All of the above listed creations are included in this update of the Copyright Act.
  • Don't assume that something is without copyright just because it is on the internet. Nothing could be further from the truth. Assume copyright until you can reasonably prove otherwise.
    • One of the most frequent errors that get people in trouble is in using free photo sites. Just because the photo is on one of these sites does not mean the person who posted it there had the right to do so. Even if it says "Some Rights Reserved," meaning you are only required to post attribution, if the photo was originally copyrighted, the copyright remains. When you see "Some Rights Reserved" you need to carefully check what that means. Usually, this is a Creative Commons license or other similar copyleft license, but you must adhere to the conditions of that particular application. Not all items under Creative Commons are treated the same. In nearly all cases, Creative Commons-licensed works require attribution of the original creator. They may also have additional restrictions, such as prohibiting commercial use of the work, or requiring that copies be distributed under a similar license.

Related Articles

Sources and Citations

  1. http://www.gnu.org/philosophy/not-ipr.html says
  2. Stim 2005, p. 257. "[T]he Berne Convention [...] specifies that no formalities—such as copyright notice—are necessary for gaining [copyright] protection."
  3. Scott §2.42[E]. "A work published prior to January 1, 1978 [...] without the prescribed copyright notice or with a defective notice was injected into the public domain, and the author lost all copyright protection."
  4. Hoffman, Fair Use: Further issues. "Fair use is at best an "iffy" defense and there is virtually no way that anyone can say, in advance, whether the defense will be successful. Thus, in any instance, the best and most advisable course of action is to license materials."
  5. UKCS (2009), Fair Dealing: Permitted Acts "Copying parts of a literary, dramatic, musical or artistic work or of a typographical arrangement of a published edition for the purpose of research or private study is allowed ..."
  6. Stim 2007, p. 205.
  7. To quote Chilling Effects, "What if these worlds were elaborately filled with details? [...] [N]ormal plots like boy-meets-girl cannot be copyrighted [...] but the more detailed the plot is, the more it becomes protectible expression."